Saturday, April 21, 2012

Erica James - a true English lady

About six months ago I got the opportunity to interview English novelist,  Erica James . She was, if I may behave like a fan-girl for a moment, Very Cool. I originally published the interview over on Just Heard, Just Read, Just Seen; but since I found her so inspirational I think she deserves a spot in Women of Inspiration and Soul.
The very first thing I noticed about  her was how tiny she is. Now I’m under five foot and I”m hardly a heavy weight, but I felt like a giant next to the petite writer from England.
The second thing I noticed about her is far more important. Erica James is, in a word, delightful. Delightful is not a word I use a lot – I suspect I am the wrong generation for it – but it is the only word to describe this lady (and I mean that in the royal sense – for while she may not be one in title, she certainly is one in bearing).
Within minutes of sitting down and picking up her cup of tea, Ms James was laughing and chatting – and of all things asking me questions. The realisation that interviewer and interviewee had inadvertently swapped places brought another wave of laughter from both of us and I was struck by how surreal it is. After all ,Erica James has written more than a dozen best selling novels, been a Sunday Times Top Ten Best Seller and has won the Romantic Novel of the Year Award.
And yet  there we were, in The Langham, giggling over….well nothing really.  I think the subject of men and relationships might have come up and the next thing we were behaving like school girls.
“It’s funny,” she told me, ” I never thought I’d be in this position. I started writing in my early thirties because I was unhappy, but I didn’t realise it.  When I was writing I wasn’t thinking about the things that were making me unhappy. When I was writing I was in a happier place.”
A Breath of Fresh Air, she said, was semi-autobiographical in the sense that she drew on where she was in her life at the time – emotionally and geographically.
“But it wasn’t really about writing about me – I just wanted to write about a nice place and I wanted to make this woman, the heroine, happy.”
She sipped her tea and thought a moment.
“I think I’m a romantic at heart. I really do still believe in love.  I can see genuine happiness in certain relationships.”
This talent for looking at situations that are perhaps not the happiest and using them as the basis for a novel has stayed with the author. In 2004 she was caught in the Boxing Day tsunami in Bali – and knew she wanted to write about it.
“I just didn’t want to write about me and my experience or even the experience of the tsunami itself.”
The result was best selling novel “It’s the Little Things” about a couple, who along with  their friend,  having survived the tsunami, are now struggling with the challenges of day to day living.
“I think that’s human nature,” Erica says, ” we can cope with the big disasters but its the little things that will drive us to homicide.”
One of her more recent novels, The Real Katie Lavender, was inspired by the current increase in public interest in geneology.
“Do you get Who Do You Think You Are? in New Zealand?” she asked.  When I replied yes and mentioned that it's quite popular, she smiled and said it is in Britain as well – and she didn't quite understand why.
” People are fascinated with where they come from aren’t they? I love looking back at a character’s childhood but I don’t care where my own great uncles came from or what they did.”
The heroine of The Real Katie Lavender discovers a year after her mother dies, that the man she thought was her father wasn’t. She sets off to find her biological father simply to satisfy her curiosity and to answer the question that has bothered her since she has made the discovery: who is she really? The novel is a lovely, gentle read that passes no judgement and comes to a satisfying and, oddly, realistic conclusion. I say oddly because romance by definition, even great romance (sometimes especially great romance) tends to wave the flag for the unrealistic ending.
By the time we had finished our tea I was painfully aware the lovely Ruby from Hachette was going to drag Erica away. Ignoring my cup I asked her about process. Does she plot or is she a pantser (a writer who, essentially, writes by the seat of their pants)? Where does she get her ideas? What about endings?
The first question was met with a giggle. A somewhat naughty giggle I might add as she leaned forward.
“I don’t have a synopsis, I make it up as I go along.”
As a pantser myself I was relieved to learn this and told her so. She seemed genuinely interested and pleased. I guess even the best need reassurance from time to time ...
As for her ideas, she is a self described magpie.
“I collect stories all the time. I listen and I watch and I collect them then I write stories about everyday issues that concern men and women.”
Ruby poked her head around the corner – we really did need to wrap up she said, there was another interviewer waiting.  We promised we were nearly done.
“What about happy endings?” I asked.
“Oh a happy ending is very important but it needs to be satisfying too and drawn together. It has to create order out of chaos.”
Before I left Erica asked Ruby to take a photo of us together and I was slightly taken aback as I don’t really do photos as a rule.
“Oh it’s for me, a momento.”
I agreed, the photo was snapped, we shook hands and I headed back into my day.
Carrying with me  a little flicker of romance passed on by a beautiful lady with a tinkling laugh and a wonderful way with words.


  1. This sounds like it was a great experience.

    We, people that is, can be quite backwards. Or I will say looking outside instead within.

    We seem to be more interested in outside of us. Not realizing that if we are interested more in ourselves and where we came from or who we are, how happy we would be.

    This interview is inspiring.

  2. How fun! :) I enjoyed this interview. I realized, reading this, that I'm a pantser/plotter: I methodically stick one leg in before the other, but don't tighten the belt on my story-pants too much.

  3. “I don’t have a synopsis, I make it up as I go along.” This is a natural style, and what I'm doing when practice writing. Just follow the flow.

  4. This is possibly the best author post I have ever seen and read! Excellent. I got such a real feeling about Erica James and can imagine myself in that interview, with her gigglng about not having a synopsis. As a dyed-in-the-wool panster (Thank you Stephen King for reminding us life doesn't come with a script), I truly appreciate what it means to let the story flow.